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Hometown Journal

Hometown Journal
Volume 10, Issue 17
April 27, Friday, 2001

Brigadoon Enthralls at Goodspeed
REVIEW BY BOB CUMMING
It was deeply touching to be totally enthralled by the current production of Brigadoon at the Goodspeed Opera House. I first saw it with five guests shortly after it opened, but waited until after the official press opening to construct a review (unlike the reviewer from The Hartford Courant, who gets the drop on the rest of the press by going earlier). The glow, the polish, the energy and the romance were as magnificent on April 1st as on April 20th - a testimony to the directors and cast of this spellbinding production of Lerner and Loewe's masterpiece.
 
Hollywood would do well to make a movie on location in Scotland with the marvelous cast pulled together for this Goodspeed revival. Director Greg Ganakas (who guided Goodspeed's Pajama Game and George M) provides a basically traditional Brigadoon with slight updates to the present, e.g., a cell phone for a lost Tommy and Jeff in their opening scene. Part of the magic of this production was the illusion of height and depth created by the sets of Howard Jones, clever choreography by Peggy Hickey (strongly suggesting the original dances by Agnes DeMille), dramatic lighting effects by Kirk Bookman and appropriately attractive costumes by John Carver Sullivan. Michael O'Flaherty's musical guidance was as perfect as the casting of Daniel Reichard as tenor Charlie, whose I'll Go Home with Bonnie Jean and Come to Me, Bend to Me  seemed a step lower than the original key, perhaps in order to show Reichard's unusually beautiful voice to full advantage. The other ideally cast leads were James Clow as Tommy (never has the role been sung as beautifully; every tone is mellifluous and heartfelt), Amanda Serkasevich as a pulchritudinous Fiona with radiant high notes, Nili Bassman as Jean, a breathtakingly beautiful Lisa Brescia as Meg, and David Rossmer (terrific with deadpan comedy) as Jeff, superbly supported by Patrick Mullaney (a brilliantly danced Harry), David Barron as Mr. Lundie, Elizabeth Ferrell as Maggie, Frank Paul Carlin as Andrew, Greg Roderick as Angus, Robyn Cohen as Jane and Dale Hensley as Archie.
 
The balance of a smartly cast ensemble consisted of Adam Souza (noted for his excellent work in Max Showalter's Touch of the Child), James R. Santos, James Tabeek, Jennifer S. Taylor, Melanie Vaughan, Natalie Hill, Kevin Loreque and Anna Winthrop. Bagpiper Brian J. Cooper added just the right pathos to several scenes. 
 
Musical high moments, which melted the heart and roused the risibilities, included Reichard's I'll Go Home with Bonnie Jean; Clow and Serkasevich's The Heather on the Hill, There but for You Go I, and From This Day On; the stunning Sword Dance and Reel; and Clow's uplifting, incomparable rendition of Almost like Being in Love. These artists are versatile legit singers who act wondrously well. What a cast for a definitive movie version of Brigadoon! The 1954 film of this 1947 musical was not up to the task. It confined an expansive work to a sound stage instead of utilizing the beauty of the great outdoors (as did The Sound of Music). Even the normally whimsical Gene Kelly gave a sluggish performance under the uninspired direction of Vincente Minnelli. The directorial imagination, the animation, the romance, the dancing, the beauty of the singing and the sense of drama onstage at the Goodspeed achieved what the 1954 movie didn't. Hollywood take note: Here's an opportunity for a refreshing change of pace with enduring charm.

John Pike's program notes pointed out that author-lyricist Alan Jay Lerner once asked his father where people go when they die. Father Joseph Lerner (women know of his chain of apparel stores) replied: "Nowhere. And if anyone tells you differently, he's lying to you." Alan Jay Lerner went on to embody a sense of spirituality in many of his works in a search for the hereafter, perhaps in part to prove his father wrong. Regardless of his motivation, the spiritual element of Brigadoon is as touching as its delightful music and theatrical trappings.
 
Whether or not a new movie is made of this Goodspeed revival by some enlightened producer, you should not miss this enthralling Brigadoon. Though it will be with us until June 23rd, I have it on the highest authority that it will not return as fully realized again for a hundred years.

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